nice latin groove with a caribbean feeling and dancehall vocals nice summer tune not to be missed

dancehall influenced breaks tracks

funky house track with ragga dancehall styled vocals reggae rhythm and nice drums and percussions nice outwork club mix on the flip should be a dancefloor killer

dubby dancehall and reggae influenced house tracks

crusty broken beats with laaarge subs and dope breakdowns the combination of ragga dancehall broken beats and soulful vocals has never sounded better on the b side we get another winner when zumen swings a dark and techy broken beat monster that comes with a slight samba touch (sb)

big funky filtered breaks killer on a side that should work the dancefloors around very well flip for a dubbed out dancehall breaker (sb)

cool funked up breaks killer with a touch of reggae and dancehall plus a huge acid flavour on a side flipside with a darker prodigy like groove

take me to heaven begins the latest journey. deep house grooves with dancehall bass drums,tom loops and staccato acid hook. gene lefosse (convolute) co-produces this one as you will hear on the vocal effects. timely track for the summer sets. turn down the lights features the voice of gigolo s acid maria.abe breaks out the 808 for another acid house classic. this one builds and climbs up as duque tweaks to perfection

another massive track from mr. salto! , ragga vocals mixed with excelent bassline and groovy rythm guitars..

the second in the new inspiration information studio album series on strut pairs up studio one reggae legend and massive attack collaborator horace andy with revered uk producer and remixer ashley beedle for a new and unique soundclash. the album is a revelation for those that know and love horace andys music as he stretches out lyrically on a series of wry, topical commentaries around brotherhood, love and the family, all rooted in his rasta beliefs. the album represents a production landmark for ashley beedle. although known primarily for his work with xpress 2 and for his consistently excellent 4/4 remixes. on this album, he draws on all of his diverse musical influences to create a collection of fresh roots fusions, ranging from dancehall to dubstep.

sharholder tom is a new projekt by the cologne based producer, multiinstrumentalist, publisher of the uptown strut magazin and anchorman of the same titled radioshow on soulsender.de thomas berghaus.

there's some interesting influences going into the melting pot here, as france's furious kay gets it together with bermuda's lou valentino. dancehall rhythms shuffle with deep funky bass & percussion, whilst l.v. lays down rhymes, making way for sariel's sweet choruses. sounds like a hit to me

mini -compilation of various 7b artists: starting off with a super fresh blast of funky dancehall acid-electro by crowdpleaser 'the return of crack' feat. spiced-up toasts by mr. x. kate wax gets 'so sexy' on the inner track, a bubbly and sensual duett with rnb-ish vocals. plastique de reve serves us a monster hittin donna summer remake our luv!!

ultraphat luciano / tim wright rmx-tip!

massive follow up to >monstertruckdriver< !!!

decks tipp

brand new modeselektor

die dub-legende und daniel boyle setzen ihre fruchtbare, 2014 mit back on the controls gestartete kollaboration fort.

gaika, inspiriert von hochschule, britischen reggae-soundsystems, philosophie, politischer theorie und vielen kŸnstlerkollegen, liefert seine bislang ausgereifteste arbeit ab: eine dŸstere, sŸchtig machende mixtur aus gothic-dancehall und industrial-electronics, das von persšnlichen geschichten von liebe, verlust und rebellion handelt. -basic volume- erweitert die horizonte elektronischer musik als auch das erbe britischer soundsystem-kultur und lŠdt den hšrer in eine einzigartige klangwelt ein. produziert wurde das 15-track-werk von gaika und weiteren, Šhnlich progressiv denkenden zeitgenossen wie sophie, dutch e germ, dre skull, dadras, aart, jam city und nick leon. es erscheint physisch als 6-seitiges cd-digipak und doppelvinyl in bedruckten innentaschen im vinylschuber mit download-code und obi-strip

it s been around three years since jpattersson opened up a whole new horizon of formerly unheard possibilities between the worlds of dub and techno. a lot has been happening ever since, and thatÕs very noticeable on his second album. it still has all the signature elements of jpattersson: there s his dreamy, virtuous trumpet play and his witty vocals, there s his dubby delays and heavyweight beats which often line up in a downbeat rhythm. however, besides his fanfares there s now also many folks, many musical friends who contribute to the vibe of this album. there s a track with berlin mc longfingah, latin-flavoured rhythms from polish reggae and dancehall producer dreadsquad as well as a stylistically wide range of remixes that reflect the symbiotic cooperation and mutual inspiration of these last years.

this repress comes as a jewelcase single cd version. a project that came to life fuelled by collectorsÕ obsession and a lifelong willingness to dive head- first into unknown musical wormholes, miles whittaker and sean canty have never been defined by a singular musical trajectory. their opening salvo of releases dabbled with the aesthetic of the occult and provided an alternate, parallax view of the italian library records with which they were both obsessed at the time, but as their long running mixtape series and brilliantly curated dds label attest, their interests extend far outside the crevices of early electronic music and into dance music, dancehall, roots, jungle, techno, industrial, noise and beyond. while 2013Õs testpressing series provided an outlet for mostly club-based productions shot from the hip, wonderland has been constructed with a narrative in mind. from the clipped hardstyle of the opening curzon, through the jaunty dancehall mutations of animal style and fulledge, exotica/house refractions on hardnoise, the frankly ridiculous, bassbin destroying jungle ructions on sourcer, or the extended tease of overstaying, itÕs probably the most enjoyable and loose-limbed hour of music in their catalogue, or that youÕll likely hear in these weird, angst-ridden times.

snapchat-kšnig und paradiesvogel kaas war zusammen mit den -jugglerz- in jamaica. einzige zielvorgabe dabei: bring eine fertige -kaas & jugglerz in jamaica--ep mit zurŸck. ob am ende hardcore-dancehall, roots-reggae, rap oder gospel herauskommen wŸrde, war dabei všllig offen. das stuttgarter soundsystem jugglerz, bestehend aus shotta paul und meska, ist weit Ÿber die schwŠbischen landesgrenzen aktiv und bekannt. mit ihrem sieg gegen tony matterhorn 2014 und dem gewonnenen -war ina east- soundclash auf jamaica gegen black chiney aus miami auf der habenseite, sind die jugglerz eines der erfolgreichsten soundsystems europas. dadurch ist das duo auf der sŸdsee-insel bestens vernetzt und fungierte bei diesem projekt nicht nur als produzentenduo, sondern auch als tourguide.

gwz all the way ist das mit spannung erwartete albumdebŸt des future dancehall-duos ghost writerz. das album zeigt das herz und das feuer, den einzigartigen mix aus hip hop, jungle, reggae und dub dieses talentierten paares. als pioniere der ganz eigenen britischen sound system musik, erschaffen die gwz ihre ŸbernatŸrliche bass musik mit bewusster lyrik, melodischen hooks und virtuoser live-instrumentierung. zusŠtzlich zur magie der beiden ghost writerz verfŸgt gwz all the way Ÿber eine vielzahl von gŠsten, die unnachahmliche stimme von rodney p, der flow von serocee und vielen anderen features von rtkal, pete cannon, amy true, jago (onlyjoe), u.v.a.

der dancehall reggae-superstar der 80er jahre zum hšhepunkt seiner karriere im channel one studio mit produzent henry junjo lawes. mister yellowman aus dem jahre 1982 hat den superb zeitlosen sound, der die wahren klassiker ausmacht! mit musikern der hi-times band und roots radics, am mischpult sa§ soldgie hamilton. jetzt wieder als cd erhŠltlich in der greensleeves reggae classics serie, mit liner notes von noel hawkes. re-mastered at the soundmasters, london. design: tony mcdermott. fŸr die zehn tracks kamen u.a. die folgenden schwergewichtigen riddims zum einsatz: vanity, pressure and slide, i can t hide, dirty harry gunman, bobby babylon. tipp!

kevin martin aka the bug meldet sich mit neuem album aus seiner wahlheimat berlin zurŸck! angels & devils beinhaltet 12 tracks zwischen electronic, dubstep, bass, dub und dancehall und gaesten wie gonjasufi, miss red, liz harris, warrior queen, flowdan, manga, u.v.a.! utopisch / dystopisch, schwarz / wei§, komplexitŠt / singularitŠt, negativ / positiv ... angels / devils

all gone pete tong & tensnake ibiza 2014 is the definitive sound of the white isle for 2014. mixed by two of the scene s leading djs and tastemakers, the 2cd mix features cuts from the likes of basement jaxx, oliver $, damian lazarus, seth troxler, harry romero and many more.

fresh new electro/dancehall sound !!

johnny clarke war in den 80ger jahren eine fest groesse in der jamaikanischen dancehall-szene! auf der cd finden sich besten dubs von johnny-clarke wieder, an denen bunny lee und der gro§e dubmeister king tubby hand angelegt haben. incl. vier bonus-tracks

dj roc shows off his brilliant high-speed sparse manipulations of rhythm, space and sound as in the dancehall.then there are tracks that mix smooth soul with double-speed like i cant control the feeling, to tracks which have more of a classic juke feel like get buck jones and dj roc symphony. the album is full of brilliant production and original ideas.

the fourteenth release by moll-selekta is an essential compilation of rare, previously on cd/lp unreleased roots-, lovers,- and dj-tracks by one of the most important artists of jamaica. lincoln sugar minott played a major role in the history of jamaican music as a singer, songwriter, producer, label owner and sound system instigator. his debut album live loving can lay claim to being the first dancehall release ever.

one of the most eagerly awaited debut albums of 2009, join the q meshes the high energy of drum n bass and rock with a wide ranging set of sounds that betray the fact that the mysterious trio were a band before they took to the decks. dancehall, metal, electro, grime and hip hop all make their presence known across the album thanks to a host of respected guest vocalists. its like ram raiding the best record shop in west london with your saxos ice turned up to drown out the alarm.